On February 23rd, the exhibition “Mother of Pearl Crafts and Lacquer” was exhibited in Budapest, Hungary, where 31 works of Korean craft artists were exhibited.
The exhibition “Light and Lacquer, The Light of the Millennium”, co-hosted by the Korean Cultural Center in Hungary and the Modern Imperial Craft Culture Association (Chairman Lee Chil-yong) organized by the Korea Imperial Culture Gallery It will be held in the exhibition hall of the Korean Cultural Service in Hungary until March 30th.
Korean traditional crafts shine in the beauty scene of that millennium
In this exhibition, not only the Korean traditional patterns, decorations and colors, but also the expressions of the oriental yin and yang, and the traditional and contemporary patterns have been displayed in an exquisite manner. Especially, abandoned Korean arts and crafts ) The work of introducing the technique of lacquering lacquer is remarkable in Europe in the future.
National Intangible Cultural Property No. 113 No. 6 of the National Museum of Intangible Cultural Properties, No. 1 Intangible Cultural Asset in Sioux City, No. 1 Lacquerware by Zhang Xiaodong Mr. Tae Hyun Son’s masterpiece is a work expressing the red and traditional patterns of Korea. The 10th National Intangible Cultural Property, The jewel box of the original interprets the original motif in a modern way, reconfiguring lines and colors, and shows a provocative appearance with decoration. Korean Chief Professor No. 384 The documentary boxes of Im Chung Hwa’s master Chung Hwa Moon and the Korean artistic master Chun Sang Chun’s teacher show the extreme of the sound quality technique and Yang Ji’s master’s jacquard jar expresses the meaning of the Oriental Yin Yang, In addition, the teacher ‘s loyalty is also used for wedding ceremony, and it combines the tradition and the contemporary pattern in an exquisite sense, and contains the origins of pure and wealthy movies.
Particularly, in this exhibition hall, Mr. Yang Jae-cheon, the artist of the exhibition, and the artist Kuk-chun Kwon and the artist Kwon Young-jin directly demonstrated a part of the lacquerware making process and methods, and got the attention by introducing the internal craftsmanship of the Korean lacquer ware to the locals.
Tamás Aján, Hungary IOC member, 100 people attended
The opening ceremony, which began with a welcome speech from the Ambassador of Hungary to the Republic of Korea, was attended by L. Simon László, a Hungarian parliamentarian who is a Korean cultural enthusiast, and former Hungarian National Cultural Fund representative (our Cultural Arts Committee) Tamás Aján, Hungarian IOC member and Professor of Mecsi Beatrix National ELTE, attended by local opinion leaders such as foreign affairs, culture, arts, sports and academia.
Ambassador Choi Gyu-sik applauded his enthusiasm and enthusiasm for the craftsmen who walked along the path to link the veil of Korean lacquerware in Korea and said, I hope it will be an opportunity to re-evaluate the value of lacquer. ” The guests attending the ceremony were amazed that “the Korean colors and patterns are very beautiful, and they are an exhibition that shows the tradition of Korean crafts culture. While paying attention, I paid much attention to the production process and the sincerity of Sumin craftsmen. I was surprised to hear that the production process of a work lasted from one to three years.
Despite the fact that Najeon lacquerware has a long history and values and traditions of more than 1,000 years, it has not had much opportunity to inform the world stage. As a result of the hard work of craftsmen who are reviving it, I look forward to it.
